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The year is 1920, in a small, unnamed city in a colonial empire. Soraya Matas believes she has found the ideal job as a personal maid to the eccentric Mrs Hattingh, whose beautiful, decaying home is not far from The Muslim Quarter, where Soraya lives with her parents. As Soraya settles into her new role, she discovers that the house is alive with spirits.
While Mrs Hattingh eagerly awaits her son’s visit from London, she offers to help Soraya stay in touch with her fiancé, Nour, by writing him letters on her behalf. So begins a strange weekly meeting where Soraya dictates and Mrs Hattingh writes – a ritual that binds the two women to one another and eventually threatens the sanity of both.
It was a black night in the year 1620 when Christenze Krukow made the wax child, when she melted down beeswax and set it in the image of a small human. For days, she carried it tucked beneath her arm, shaping it with the warmth of her flesh, giving it life. She fashioned for it eyes and ears that cannot open, and yet – it watches...
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